The Quills Conference 2019

Eghty-four years ago, The League of Utah Writers was born. Eighty-four years ago, the league starting having an annual conference. Over the years, the name, location, and dates have changed. Today, it is called The Quills Conference. And it is an amazing event. (See this story from Fox 13.)

Writers from across Utah, and in fact, the country, converged to meet other writers, editors, and agents. The goal is to learn from others and network. This year was a huge success. Several agents and editors, who attend dozens of conferences a year. declared Quills as one of the best conferences they’ve ever attended. I credit an amazing volunteer staff and other attendees, in making this a great event.

In the following recaps, you may feel slighted as I’ve left out lots of details. That’s because the content is property of the presenters. If I add it here, you can just read this and not go to a conference where they are presenting.

Day One

So, what did I do? I learned. A lot. The conference started on Thursday half-day epth classes. I chose “Expand and Contract – The Dance of the Well Paced Story” taught by Angie Hodapp and her husband Warren Hammond. If you make your story too slow, readers lose interest, too fast and readers get confused. You want it to be just right. (I call this the Goldilocks Syndrome.) Angie and Warren gave us tools to figure out where our stories have these problems and then more tools to fix them. Things like narrative, turning points, scene and chapter, plot structure, Great presentation full of information I will definitely make use of.

The afternoon feature Chantelle Aimee Ozman. She presented “What to do after THE END: Editing, Pitching, and Querying.” I first met Chantelle this past March at Sleuthfest in Florida. She’s awesome. I wanted to see this presentation again, She didn’t disappoint. Clear, down-to-earth advice on editing, pitching, and querying. Great stuff. I look forward to more from Chantelle later this month at Central Coast Writers Conference in California.

Thursday wrapped up with a Reception/Mixer where I met lots of local authors and many of the special guests including Ann Hillerman. Being a mystery writer, I had been looking forward to this since last years conference. Ann is one of the great, giving, caring authors out there.

Day Two

Friday morning found me back with Angie Hodapp for “Theme: What it is and Why You Need It.” I had been to presentations before on theme, but I never quite got it. Somehow, I knew it was important. Turns out I was right. (Mark the day on your calendar, “Craig was right”.) Theme is the underlying story. For example, your story may be a police procedural set 1960s Chicago where one cop is black, the other white. Your theme may be civil rights. If you deal with a particular theme, you must also deal with its opposite.

After that, back to Warren Hammond. (Do you see a pattern here?) His presentation was “The Wheels Keep Spinning and I Don’t Know What to Do”. As a writer gains experience, at some time, she’ll hit a point where she can’t achieve her writing goals or the current WiP is stuck and she can’t seem to move it forward. There are no shortcuts to learning the craft. Identify your weak spots and lay out a plan to conquer them. Learn what habits made other writers successful and adapt them for you.

I continued with Warren’s class “Hitchhiker’s Guide to Stellar Characters”. Luckily no towel was needed. Characters, great characters, are what readers are looking for. That’s what pulls them in and gets them to really like your book. Your characters need to be multi-dimensional, have goals, motivations, conflicts, and stakes. Lots of advice on how to do all this.

Anne Hillerman was up next. Her presentation “Setting: Where Fiction Lives” was all about location. In her books, the Navajo Reservation comes alive and now I know why. Setting is more than just the location on the map. She talked about fundamentals of setting: locale, time of year, time of day, weather, natural landscape, man-made features, eras of historical importance, social/political environment, population, and ancestral influences are all part of setting.

The day finished up with the late night presentation “After Dark: Let’s Talk About Sex Scenes.” Quills offered two versions of this. A tame version and one they billed as “18+”. That’s the one I picked because I’m not afraid of the topic and the presenter, Alex Harrow is amazing. They went into various areas and how to write them and not write them. While there were naughty words, such as different things to call a penis or a vagina, there were no graphic pictures. Great presentation and one where I learned stuff.

Day Three

My brain was nearly full by the time Saturday arrived, but I pushed forward. Roslyn Eames got things started with “Writing Emotion: The Objective Correlative.” You do this with objects, metaphor, situation, chain of events, and movement and gestures. One thing to keep in mind, the bigger an issue, the less you write about it.

Next up, “Content an Audience Can’t Ignore” from Linne Elizabeth. This was more about marketing and blogging than writing a novel, but the ideas were very important. The goal is to give the audience what they need and want. You do this by knowing your audience, setting SMART goals to get there, writing a good narrative, and keeping it simple.

Then it was Hammer time. Back to Warren Hammond for “Rated R for Violence.” As a crime fiction writer, I was very interested in hearing where the line is between too much and not enough. The answer turns out to be: the line is where you want it. Keep in mind your audience. How does the violence affect your character. Keep in consistent in your story. Use it to add emotional impact. Learn the mechanics of writing violence.

Anne Hillerman came next with “Organic Writing – Finding Your Own Perfect Process.” I didn’t take many notes here, but the big take-away is to structure your plans with room to add serendipity.

The final class of the day was Dave Butler’s “You’re Going to Need a Bigger Pie.” This was all about how to build your reader and writer community following. One suggestion that stuck with me was to put reading recommendations at the bottom of your newsletter or blog about them.

Quills always ends with a big banquet where we feast and winners of the league’s annual writer contests were announced. You can look for the list soon on the league web site. Congratulations to everyone that won, placed, showed, or even just entered.

Then, it was time for the unofficial end to the weekend, BarCon. This is where attendees move to the hotel bar to imbibe on a beverage of choice. It can be of the adult variety or just water. This is where much of the networking takes place. I have met wonderful writers at BarCons and we are still friends.

Quills 2020 is set for August 13-15 at the same location with special guest Jonathan Mayberry. I hope to see you there.

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